Newcastle Ballet Theatre teaches the BC SYLLABUS
Christine Walsh quotes:
"Most professional ballet companies give classes in the Russian Style because of its acknowledged strength and performing qualities, it is therefore more logical to teach students this method from the early stages right through their training years"
The Australian Conservatoire of Ballet Levels
Please note these ages are approximate only and may vary
depending on students level.
Preparatory Level 1 -
Level 1 -
Level 2 -
Level 3 -
Level 4 -
Level 5 and Senior Level -
Excellence (15 years and over)
Enrolments are now being taken for 2021.
For more information.
Phone Rider 0401 214 042
Ms Kristy 0434 417 454 or
Miss Amelia 0414 220 654
In addition to the above classes we also offer:
Private Tuition: -
BC Examinations -
Eisteddfods: Students wishing to participate in eisteddfods are encouraged, however they must have one private lesson each week, leading up to the eisteddfod, to learn their dances. All dances must be choreographed by a faculty member, or guest teacher, and all costumes must be approved by a faculty member.
Open Days: -
Contemporary dance uses the body in a variety of ways, being influenced by both classical ballet and modern dance. It encourages freedom of movement and creativity as well as core strength and control. Students may learn choreographed works, or be encouraged to improvise.
These classes emphasize musicality, rhythm, energy, and performance. Full of personality, Jazz is most often seen in the commercial and entertainment industries.
TEENY DANCERS AND TINY DANCERS BALLET: FOR BOYS & GIRLS LINK VIDEO
For ages 2 -
ADULT CLASSICAL BALLET & CONTEMPORARY CLASSES FOR MEN AND WOMEN
A fun, friendly, and informal class for men and women who have always wanted to learn ballet, or those who may want to re-
Our Beginners Class is on Monday 7:15 -
Contemporary Class is on Thursday 7:00 -
Open Classical Ballet Class Saturdays 9:30 -
See further details on our Timetable page
ACRO: & PROGRESSIONS:
These classes start with a warm up consisting of strength training and some flexibility work. Then we do progressions down the mat.
Some skills the students will work on are:
forward/backward rolls, handstands, cartwheels, walkovers and round-
It is a really fun class that focuses on learning ACRO skills safely and with spotting.
BC SYLLABUS CLASSES (Formerly ACB Syllabus): This Syllabus uses a Russian Vaganova based method of classical ballet training.
The Australian Conservatoire of Ballet has now officially changed it’s name to Ballet Conservatoire. This change has come about as the Syllabus now has a rapidly
growing International presence.
The Australian Conservatoire of Ballet Syllabus was created by former Australian Ballet Principal Dancer Christine Walsh AM. As a 12 year program, it is designed to meet the needs of ballet students who are unable to take full time dance training from a young age. This training and assessment program emphasizes correct placement, dynamics and performance quality which are all inherent in the Vaganova method. The program aims to develop in the student a professional attitude which will assist them in their pursuit of a career either as a professional dancer or dance teacher.
OPEN CLASSICAL BALLET:
These classes are a great compliment to the Syllabus work. As most auditions are conducted in an open format, with each combination new and taught during class, open classes are an excellent learning tool. While needing to think quickly and maintain proper technique, the student has the opportunity to express themselves through the movement and grow as a dancer and performer.
BOYS BALLET CLASSES:
The basics of ballet technique are the same for girls and boys. But, like girls with their pointe work, boys have their own particular steps and physical demands. Boys not only have a different energy than girls, they can also learn differently. Each ballet class must work through the basics, but the emphasis in Boys class is on those steps that define the male technique -
DEMONSTRATION BY STUDENT
PAS DE DEUX:
Pas de Deux translates to “step for two”, and is an umbrella term for partnering work in classical ballet. As a dancer’s technique improves, this skill becomes necessary. Learning to trust and communicate with a partner is a vital component to the growth and development of a dancer.
Pas de deux is open to Senior female dancers en pointe
Photo by Mel young Photography
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